The Alexandrian Scholar-poet Callimachus

The pinakes was the work of Callimachus of Cyrene, a scholar, poet and librarian of the third century BCE. Callimachus oversaw the famed Great Library of Alexandria at a time it housed all the known knowledge of the world. He is considered by many to be the father of bibliography.

Of the major poets of the third century it is perhaps Theocritus who most invites. us to reflect upon what we think we know about Hellenistic poetry and upon the. usefulness, or otherwise, of the label itself. Theocritus was not—as far as we. know—a scholar-poet, that figure identified by.

Mimnermus – Callimachus. Defining the kind of poetry he liked and believed best suited to his own, much later times, the Alexandrian scholar-poet commended Mimnermus thus [brackets indicate gaps in the text]: Head of State – Legitimacy. The position of head of state can be established in different ways, and with different sources of legitimacy.

Euphorion was a scholar-poet in the tradition of Callimachus: monographs on the Isthmian Games and other historical and mythological subjects are attested; he is also credited with a lexicon to Hippocrates, and two of his epigrams appear in Meleager’s anthology (Garland, c.100 bc). He was best known though for his hexameter poetry, of which.

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Callimachus, Greek-Libyan Poet and Scholar. Lancelot Andrewes (1555-1626) English and scholar. FRANCESCO PETRARCH Italian scholar poet and humanist 1304 to 1374. Hypatia was a Greek scholar from Alexandria in Egypt. Hypatia taught math at the Museum of Alexandria…

The key point of this passage for Vergil himself is that it renounces an earlier renunciation. That first recusatio rejected epic for the "thin" and precious verse of Hellenistic poets in Alexandria. Vergil imitated Callimachus when he made this abdication in Eclogue 6 (lines 6–9): I.

The Xidixa section is foreshadowed by Asclepiades’ epigram (AP 9. 752 = GP 44) on an engraved amethyst ring belonging to Cleopatra, the sister of Alexander the Great, and other epigrams on engraved gemstones are preserved in the Greek Anthology.10 Epigrams on equestrian victories are abundantly represented in the inscriptional record,11 and Callimachus celebrated the racing victories of Berenice.

The Alexandrian poet KrQ’ oioxilv is Callimachus, and a glance at two of his best known pieces will illustrate the places of originality and tradition in the Hellenistic age. The first of his Hymns, To Zeus, follows the traditional form of the hymn quite closely, but, aside from metrical refinements, is far from being mere imitation.

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An unlikely rebel in his own time, Callimachus was born in Cyrene, close to Shahat in modern Libya, and came to work at the Library of Alexandria. He is said to have produced some 800 scrolls of papyrus on subjects as various as the names of fish, rivers of Europe, and Greek drama, but is more famous for his poetry, which he wrote with an.

In his deployment of the Hermes fable, Galen implicitly challenged the poetic legacy of the pioneering and celebrated Alexandrian scholar-poet Philitas of Cos. Philitas compiled a book of “unruly tongues”: anomalous meanings, words from the margins, and exotic lore.[17]

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Bryn Mawr Classical Review 97.12.16. James J. O’Hara. lists. Here we learn that etymologizing (1) creates a sense of tone, style, and allegiance to the tradition of Callimachus and Apollonius of Rhodes, and "marks the text as other than ordinary nonfictional discourse", (2) provides intellectual pleasure for the reader, which is a.

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Games On Greek Mythology Over the course of the week, they can choose electives based on their interests. When they’re not playing games with a Greek-mythology spin, such as “Laistrygonian ball” (dodgeball based off

Euphorion was a scholar-poet in the tradition of Callimachus: monographs on the Isthmian Games and other historical and mythological subjects are attested; he is also credited with a lexicon to Hippocrates, and two of his epigrams appear in Meleager’s anthology (Garland, c.100 bc). He was best known though for his hexameter poetry, of which only tantalizingly small fragments have been preserved; even the.

To estimate such a writer, one must compare him, not with Homer, but with the pedantry of his con- temporaries: as Shakespeare with the Euphuists; Milton with Burton; or Goethe’s with the Profes-.

The prolific works of the third-century-B.C. scholar-poet associated with the Mouseion at Alexandria, Callimachus of Cyrene, include thirteen iambs, followed in the manuscripts by four lyric poems, for a total of seventeen, the same number of poems as Horace included in his iambs.

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For Hellenistic poetry in particular the problem is acute: the common picture of Hellenistic “scholar-poets” (i.e. Callimachus, Apollonius and company) makes it tempting to construct a course as a survey of all the programmatic, self-referential, or otherwise paradigmatic passages.

Callimachus (310/305–240 BC): a Berber poet from Cyrene, Eastern Libya. He was a critic and scholar at the Library of Alexandria in Egypt, famous for being the first librarian in the world who produced the world’s first library catalogue in 245 BC – a stupendous 120 volumes long bibliographic survey of the contents of the Alexandria Library, organized by authors and subjects, and collectively known as the.